Ever since my early days of watching the runways (same as my early days of blogging), I've been watching and enamored with Verrier. Here is my first piece on the designer, short & simple amid the Fashion Week rush. It's discoveries like these why I try to watch as many of the New York shows as I can, lesser-knowns among famous favorites.
As I tried to merely fit in some catwalk viewing over my busy weekend, I lost time for many, but kept a high priority for Verrier. I needed to find another source outside Style.com (where Verrier was not covered) though, and I found it on WWD.com. Luckily then the viewing was worth the wait and effort, after my anticipation was furthered and incited heavier by Women's Wear Daily's description;
"Tea-length dresses and a romantic sensibility enhanced Ashleigh Verrier’s Thursday-evening soiree-style presentation at The Box in Lincoln Center. The designer, inspired by “The Great Gatsby” and American women in the Twenties, sent out a pretty lineup of delicate, feminine looks — from an eye-catching green lace fitted blouse over a green miniskirt to below-the-knee crinolines paired up with a tweed jacket or silk blouse."
The actual show held much to love and various aspects about which to talk. I'll save most for my favorites gallery comments or other roundup pieces, so for now here is a bit of commentary on a slightly unique vision I found amusing...
Voyeur Verrier

Ashleigh Verrier keeps the ladylike in undergarments and brings it into underwear-as-outerwear. I just adore her.
This NYFW year, I've been sort of introduced to the concept of using Fashion Week to this-far-ahead plan a season wardrobe with new additions or remixes, and I'm warming up to the idea for Spring. To keep things within a less-than-designer budget, perhaps I'll buy a vintage a-line crinoline slip to wear over knee or tea-length flared skirts. (What do you think? Would you wear that?) I won't show much of any leg under the slip, so as to keep the look heavily-purposeful (as though one garment) and as classy as it can be.

It's "Ladies who Dessert".

The looks show the remain of the lace trend, and sort of bounce it on its head. Seen here is the sheer piece being something other than the lace. Ashleigh switched up other trends, which I'll feature in a later over-arching theme post.

Boudoir to boardroom. Or neither, rather. I wonder how you would wear this? I love this, but I can't decide whether they can't be separated to be as fabulous, or must be to fit in with life.
What Ashleigh wants you to take away; that sexy is ladylike and classy. ;-)
Photos: Designer courtesy of Ashleigh Verrier, others Women's Wear Daily.












A4. There really is a marketing benefit from these catwalking women who are size 2s with AA cups, but not skeletal 00s, who are, don't forget, also giants. "Models" are supposed to be like human mannequins, or actually it's much more like human clotheshangers, and not detract from the clothes, but there are major problems with it, too, of course. One is that they're called "models". That makes them sound like role models for beauty, which they really shouldn't be, nor should ever have been. Many models are not even attractive in the slightest, and that's fine - but they still get this cred and reputation. Then young women are confused, saddened and jealous, and women of all ages feel fat and dwarfish, which even leads many to wear painful shoes any day, anywhere. Hardly any person is immune, as well!




Ella






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